Articles

	“Imagery by Raja Ravi Varma and Raj Silver,” The Burlington Magazine, 164 (October 2022), pp. 976-985	PDF – View | Download
	“A Passion for Inscriptions. Reading Chola Temple Walls,” pp. 30-37 in Word And Image, Singapore, 2018.	PDF – View | Download
	With Peter Rockwell, “A Flexible Concept of Finish: Rock-Cut Monuments of Pre-Modern India, Archives of Asian Art, 2011	PDF – View | Download
	With Richard Davis, “Addition, Erasure, and Adaptation: Interventions in the Rockcut Monuments at Mamallapuram,” Archives of Asian Art, 2010	PDF – View | Download
	“Questioning Narrativity and Inscribed Labels: Buddhist Bharhut, Sannati, and Borobudur,” in Himanshu Prabha Ray edited, Sacred Landscapes in Asia: Shared Traditions, Multiple Histories, New Delhi: IIC – Manohar, 2007.	PDF – View | Download
	“Identity and Visibility: Reflections on Museum Displays of South Asian Art,” in Gita Rajan and Shailaja Sharma eds. New Cosmopolitanisms: South Asian in the US, Stanford: Stanford University Press, 2006.	PDF – View | Download
	“Divine Beauty: Revealed and Concealed,” Orientations, Nov-Dec 2006: 42-45
	“The Very Idea of a Portrait.” Ars Orientalis, 28 (1998): 41-50.	PDF – View | Download
	“Reading Love Imagery on the Indian Temple.” In Love in Asian Art & Culture. Washington D.C.: Arthur M. Sackler Gallery, 1998: 96-113.	PDF – View | Download
	“Circumambulating the Bharhut Stupa: The Viewers’ Experience.” In Picture Showmen: Insights into the Narrative Tradition in Indian Art, ed. Jyotindra Jain, Bombay: Marg Publications, 1998: 22-31.	PDF – View | Download
	“The Dominance of Space over Time in India’s Visual Narratives.” In Paradigms of Indian Architecture: Space and Time in Representation and Design, ed. G.H.R.Tillotson, London: Curzon Press, 1998: 80-106.	PDF – View | Download
	Entries on South Asia in Beyond the Legacy. Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery, ed, Thomas Lawton and Thomas W. Lentz, Washington D.C.: Smithsonian Institution, 1998: 160-175, 178-83, 186-203.
	“Narrative Structure in Jagat Singh’s Ramayana: A Preliminary Study,” Artibus Asiae, 54 (1996): 303-324.	PDF – View | Download
	“Enduring Stereotypes About Asia: All Indian Art is Religious,” Education About Asia, I (1996): 5-9.
	“Iconographic Transference between Krsna and Three Saiva Saints.” In Indian Art and Connoisseurship. Essays in honour of Douglas Barrett, ed. John Guy, Ahmedabad: Mapin Publishing, 1995: 140-49.	PDF – View | Download
	“Woman’s Body: Site of Contestation.” In Meera Devidayal, Bombay: Cymroza Gallery, 1995: 1-3.
	“Sculptures from Southern India in The Florence and Herbert Irving Galleries at the Metropolitan Museum of Art.” Orientations (1994): 44-53.
	“Comment: A Broader Landscape.” In Sati. The Blessing and the Curse, ed. J.S. Hawley, New York: Oxford University Press, 1994: 49-54.
	“The Heritage of Sri Lankan Art.” Asian Art (Summer 1993): 6-31.
	“Aniconism and the Multivalence of Emblems.” Ars Orientalis 21 (1992): 45-66.
	“The Collective and Popular Basis of Early Buddhist Patronage.” In The Powers of Art. Patronage in Indian Culture, ed. Barbara Stoler-Miller, New Delhi: Oxford University Press, 1992: 35-45.	PDF – View | Download
	“Narrative Modes in Ajanta Cave 17: A Preliminary Study.” South Asian Studies, 7 (1991): 45-57.
	“On Modes of Narration in Early Buddhist Art,” Art Bulletin 72 (1990): 374—392.	PDF – View | Download
	“The Future of India’s Past. Conservation of Cultural Heritage.” In India Briefing 1990, Boulder, San Francisco, Oxford: Westview Press, 1990: 131-157.
	“Stupas and Sculptures of Early Buddhism.” Asian Art (1989): 7-32
	“Bodh Gaya and Sri Lanka.” In Bodhgaya: The Site of Enlightenment, ed. Janice Leoshko, Bombay: Marg Publications, 1989: 89-100.
	“Southern Indian Art.” In South and Southeast Asian Art in the Norton Simon Museum, Pasadena, special issue of Orientations (1988): 34-47.
	“The Persistence of Buddhism in Tamilnadu.” In A Potpourri of Indian Art, ed. Pratapaditya Pal,Bombay: Marg Publications, 1988: 53-74.	PDF – View | Download
	“Sambandar: A Child Saint from South India.” South Asian Studies, 3 (1987): 53-71.
	“Brick Temples of India: Origins and Development.” In From Indian Earth: 4000 Years of Indian Terracotta Art, ed. Amy Poster, New York: The Brooklyn Museum, 1986: 43-56.
	“Royal Temple of the Eighty one Yoginis.” In Dimensions of Indian Art.Pupul Jayakar Seventy, ed. Lokesh Chandra, New Delhi: Agam Kala Prakashan, 1986: 93-98.
	Paul F. Walter.” In American Collectors of Asian Art, ed. Pratapaditya Pal, Bombay: Marg Publications, 1986: 205-223.
	“The Sri Lankan Collection of the Los Angeles County Museum of Art.” Arts of Asia (1985): 80-89.
	With Gary M. Tartakov. “Sharing, Intrusion and Influence: The Mahisasuramardini Imagery of the Calukyas and the Pallavas.” Artibus Asiae, 45 (1984): 287-345.	PDF – View | Download
	“Yogini Temples of India: A Preliminary Investigation.” Art International, 25 (1982): 6-29.	PDF – View | Download
	“Early Activity at Amaravati.” Archives of Asian Art, 23 (1969/70): 41-54.
	“Early Buddhist Caves at Junnar.” Artibus Asiae, 31 (1969): 147-166.